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A Teti
Don Hong-Oai was born in 1929 in Canton, China. Thirteen years beginning on his apprenticeship with a photographer in a shop specializing in portraits, assimilates traditional methods by master photographer and the landscapes in his spare time. All his work is done by following the old way of exposing the glass negatives in the light of the sun using instinct rather than the timer. In 1979, unable to reach the United States and settle in the Chinese community in San Francisco. Here lives by selling his photographs of landscapes in front of Macy's receiving, over time, deserved recognition for his craftsmanship. It creates her pictures using the technique of layering: negative overlaps three different plans, selecting an object or a detail from each negative and assembles a composite image. Each piece is unique because Don has never used a photo lab and never had an assistant, and each piece was put together by him as he saw his mind.

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the perversion of SENSE

The Austrian artist Erwin Wurm make you fat (and sometimes talk) houses coming, in some case, joints on roofs, cars and inflated truck supports vertically on the walls normal disorienting perceptual conditions. He likes to take the other side of things, to cultivate the perversion of human feeling and to create temporary sculptures. The "One Minute Sculptures" are people who become statues for a minute, in which the artist does not do things in common with ordinary objects such as tables bite. The viewer becomes the work himself, a work based on the uncertainty that exists only for a few seconds, just long enough to be immortalized. But the genius of Erwin Wurm is put temporarily out of use mainly in the spatial orientation of our body image-based models such as high-low, left-right, front-behind to create a new visual inspection. Calls into question the mental organization of the things we do different kinds and new perspectives. It is an experiment in alternative ways of perceiving reality that is, in itself, often illogical and senseless.

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LEVITATION consumer

Denis Darzacq explores the idea of \u200b\u200bthe body in levitation using the photo without the tricks of the Photoshop. Calls to street dancers, from the popular quarters of Paris and Rouen, dancing in the aisles of supermarkets "Hypermarché" take back then, while performing movements in a free fall. The intent of Darzacq is to contrast the pop nature of the hypermarkets, the epitome of mass consumption, the bodies suspended in mid air and almost spiritually to give a floating version of the otherworldly consumerism. This is when the dancers on the rise and fall are the winners and victims (some seem hit by a fist) absolutism of globalized trade. The irony is obvious, the dancers seem to achieve the impossible levitation in front of products that promise results equally unattainable: a house germ-free, perfect hair and a slim waist does not matter how much you eat. These photos are funny and scary at the same time ... Darzacq is playing with us. The pictures are being real (not manipulated) are both unrealistic because what we see is the split second of a moving body, a view impossible to contemplate as a still image in real life.