provocation 
Yinka Shonibare is an artist in life and work. Fascinated by the process of seduction and the power of fiction is defiantly disobedient with healthy appetite for enjoyment. All this is reflected in his work, an inclination to use visual fruitful abundance of colors, glow and charm. The challenge culminates in his installations, with headless mannequins dressed in costumes and eighteenth-century textiles, but played with batik prints that mark the fusion between European culture and elements of African cultural tradition from which he comes. And since, in all cultures, the clothes are forms of identity, curtain and furniture apparent Shonibare uses them this way: "The surplus is the only legitimate means of subversion. I would like to produce fantastic, I try to achieve ecstasy. Hunger for enjoyment, my desire for a radical beauty causes me a kind of pain that hits me to the core. The degenerate ethnic must disobey, but his disobedience should never degenerate, it must remain constantly dignity. The ethnically deigned to dress to impress, is a way to take their freedom. The ethnic esthetician must have an elegance that is necessary, because this is an affront to the status quo. The pleasure in dressing is the most assertive gesture that can be done by the already degenerated. A degenerate who pays attention to clothing put in place an inexcusably provocative glorious. "
Yinka Shonibare is an artist in life and work. Fascinated by the process of seduction and the power of fiction is defiantly disobedient with healthy appetite for enjoyment. All this is reflected in his work, an inclination to use visual fruitful abundance of colors, glow and charm. The challenge culminates in his installations, with headless mannequins dressed in costumes and eighteenth-century textiles, but played with batik prints that mark the fusion between European culture and elements of African cultural tradition from which he comes. And since, in all cultures, the clothes are forms of identity, curtain and furniture apparent Shonibare uses them this way: "The surplus is the only legitimate means of subversion. I would like to produce fantastic, I try to achieve ecstasy. Hunger for enjoyment, my desire for a radical beauty causes me a kind of pain that hits me to the core. The degenerate ethnic must disobey, but his disobedience should never degenerate, it must remain constantly dignity. The ethnically deigned to dress to impress, is a way to take their freedom. The ethnic esthetician must have an elegance that is necessary, because this is an affront to the status quo. The pleasure in dressing is the most assertive gesture that can be done by the already degenerated. A degenerate who pays attention to clothing put in place an inexcusably provocative glorious. " 
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